Since 2021, Xander Zhou has evolved his brand of men'swear, experimenting with new fabrics, textures and cut for an exploration into how exactly it may mould a man's silhouette. The aesthetic of the Xander Zhou label borrows heavily from streetwear, pop culture and pop music for its unique counter-intuitive modern collections. This brand defies convention by putting forth garments that are inimitable, inventive and, above all, individualistic. They are not the kind of clothes you could say are made by big names in fashion (Zhou has a small print label), but instead he puts forward garments that reflect his personality, taste and style. This is something very different.
If you are looking for a garment that says something bold and distinctive, look no further than the Xander Zhou streetwear. His recent creations have become something of a trend, with people across the world taking notice. His latest lines, called SS19 Show, have been attracting interest since last summer, when they were featured in both the China Daily and Xiami News. In these articles, people were quoted as saying that they had never seen anything quite like their collection and that it was “almost a coming of age story”. (Thexia is a term used to describe modern Chinese clothing that combines elements of tradition and contemporary design.)
This is not the only line of work for which Mr. Zhou is currently known. His profile has become notably large amongst Chinese designer enthusiasts for his work as a designer for several years. He has also studied industrial design, textile art and traditional painting. Many of his pieces have appeared in galleries, exhibitions and private collections around the world. Today, he is regarded as one of the most respected and admired Chinese designer.
There is a wealth of talent behind the work of Mr. Stephen Zhou. His career highlights a period when China was experiencing major economic growth and liberalization, at a time when western fashion was either revolutionizing or being swept away by the new openness and sophistication of Chinese design. In his paintings, there is no hint of any iconoclastic or idiosyncratic impulses, but rather a fascination with the simple aesthetic of geometric shapes. If one were to compare his work with that of Frank Stella or Greco-Roman artists, one might think of a desire to complement their style. His paintings, unlike those of others mentioned above, convey a sense of gravity and some degree of emotionalism about the subject matter.
His involvement in the Chinese fashion industry has given him an unusual position, being able to combine his love of western culture with the country's traditional culture. This has led him to develop an individual style that is refreshingly original and sometimes even surprising. It is not easy to classify his work, as he tends to blend traditional Chinese elements with modern techniques, but it is clear that his style owes more to the influence of pop culture and modern art than it does to traditional Chinese art. His work communicates a dream-like quality about contemporary Chinese life, something that few westerners can make themselves understand.
It is perhaps his dream that young people in London can one day see a vision of themselves reflected in a series of his paintings. His style may be considered eccentric, but in the Chinese world, it is a kind of standard, and his paintings are a kind of bridge between this world and the next. He speaks freely about issues affecting the contemporary Chinese youth and is often critical of the excesses of commercialism in Chinese culture, which he feels has over-determined the message of traditional art. Whatever his beliefs, it seems likely that many of his followers will follow his example, following in his footsteps to London fashion week and, eventually, to the world.
A TALK WITH XANDER ZHOU – INDIE Magazine – xander zhou | xander zhou
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